OVERPASS 2020 · MINO · GRAY

OVERPASS 2020 Virtual Live Concert
Laser direction for MINO & GRAY

Filmed at S-Factory, Seongsu, Seoul · Released online September 26, 2020

Lasers crossing an empty warehouse surround MINO and GRAY as they perform. Following the music, the light opens into fans and shifts into lines across the floor.

Client
OVERPASS
Artist
MINO · GRAY
Year
2020
KNOVCOMPILE's role
Laser scene design and direction
On-set laser operation
MINO singing into a microphone as laser beams cross his face

A concert without an audience,
A stage built with light

OVERPASS is a US music festival bringing artists from different countries onto one stage. In 2020, it became a virtual concert, releasing performances prerecorded without an audience online on September 26. MINO's performance was filmed in an empty warehouse in Seongsu, Seoul. With no raised stage or seating, KNOVCOMPILE created laser scenes around the performers and across the depth of the warehouse.

Before filming · The empty warehouse
During the performance · The same warehouse filled with lightVideo still · OVERPASS

From moodboards
to on-set operation

Starting with the performance concept and location shared in preproduction meetings, we designed different light forms for each song and operated them on set to suit the camera and performance.

  1. 01

    Preproduction meetings · Moodboards

    We review the artist's stage concept and filming location, then establish the atmosphere with horizontal laser beams and haze.

    Concept · Location · Mood
  2. 02

    Laser scenes for each song

    Beam direction, color and movement follow the music, giving each song its own scenes.

    Setlist · Beam shapes · Color
  3. 03

    On-set operation

    We adjust the beams to the camera movement and performance, operating the scenes throughout the shoot.

    Rehearsal · Beam adjustment · Filming
Reviewing laser scenes on the monitor
Laser controls and the film set
The film crew in pink beams

MINO
Beams unfolding with the performance

From group choreography to solo moments, fans of light and lines across the floor frame each scene to match the scale of the performance.

OVERPASS 2020 · Laser scenes from MINO's performanceVideo · OVERPASS

Laser forms that change with each song

Fans, diagonals and floor lines combine with the flow of each song. Beams stretch between the warehouse's repeating columns, revealing its depth.

TRIGGER · ROCKETViolet fan-shaped beams at the end of the warehouse and red lines across the floor
TRIGGERVideo still · OVERPASS
ROCKETVideo still · OVERPASS
ROCKETVideo still · OVERPASS
I'M HIMDiagonal beams across a space shifting between pink and blue
Pink beamsVideo still · OVERPASS
Blue beamsVideo still · OVERPASS
Beams passing beside his faceVideo still · OVERPASS
OKEY DOKEY · ALCHEMYFlashing beams and violet-blue light filling the warehouse
Flashing beamsVideo still · OVERPASS
The blue warehouseVideo still · OVERPASS
Beams tracing the floorVideo still · OVERPASS
BODY · FIANCÉGroup choreography among beams crossing like a red grid
Red gridVideo still · OVERPASS
Group choreography in pink beamsVideo still · OVERPASS
Final group sequenceVideo still · OVERPASS

An empty warehouse floor,
a different stage for every song.

GRAY
A laser performance unfolding before the DJ booth

Beams unfold between the DJ booth and the performer. Lines across the floor and fans of light from behind create different layers of depth, changing the scene as the camera moves.

OVERPASS 2020 · GRAYVideo · OVERPASS
Lines across the floorVideo still · OVERPASS
Fans of light from behindVideo still · OVERPASS
Light surrounding the performerVideo still · OVERPASS
Beams crossing the spaceVideo still · OVERPASS

Full TRIGGER performance

OVERPASS 2020 · MINO — TRIGGERVideo · OVERPASS Music Festival

Credits

Client
OVERPASS
Artist
MINO · GRAY
Performance
OVERPASS 2020 Virtual Live Concert
Online streaming · September 26, 2020
Filming
S-Factory, Seongsu, Seoul
Laser scene design and direction
On-set laser operation
KNOVCOMPILE
Video
OVERPASS Music Festival